The plastic can also flex somewhat at the seams and joints, so the DJM-S5 doesn’t feel particularly sturdy. While it feels decent, the plastic is pretty light and there’s a hollowness to the casing. The DJM-S5 has an inner metal chassis with a plastic casing and a metal faceplate. The pots are metal and have a sturdy feel, and the caps have some textural variations for distinguishing functions simply by touch. While the crossover points and sound are not my favourites, they are perfectly functional. I’ve looked in-depth at the EQ settings on Pioneer DJ gear before, and to my ear, the character of the EQs on the DJM-S5 is comparatively quite similar. Look at that maxed out Trim – if you ain’t redlining, you ain’t headlining Double-clicking on a pad will activate the secondary function. To activate these functions, you must hold down the Pad Mode button and press one of the pads – much like the Shift button. Instead of the traditional separate Pad Mode buttons seen in higher-end mixers and controllers, Pioneer DJ opted to use the pads in conjunction with a single Pad Mode button to switch to different pad functions. Pad Modes include Hot Cue, Gate Cue, Loop Roll, Cue Loop, Auto-Loop, Saved Loop, Sampler, and Scratch Bank. You get eight modes per side, with independent modes on each side. The DJM-S5 contains an unprecedented amount of modes for a mixer in this price range. You can also use the button as an instant Auto-loop button with the Shift button. Instead, a Pad 5-8 button on either side toggles between Pads 1-4 and 5-8. Unlike their other mixers and controllers, there are no parameter buttons on the DJM-S5. And as we mentioned earlier, there are only four pads per side instead of the standard eight. While they feel functional, I’m a rubber pad guy, and these feel like a downgrade. These aren’t pads, per se – they’re hard plastic buttons.
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